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Wasserturm Langeoog

Wasserturm Langeoog

HerrPoet: Oft nicht mehr.

herrpoet:

Oft ist das Leben auch nicht mehr, als die Suche nach dem Meer. Diese Suche nach dem frei sein, diesem Sand zwischen den Zehen, dem Wind im Gesicht und dem Rauschen der Wellen in den Ohren.

Es fehlt.

Oft ist das Leben nicht mehr, als nur die Suche nach den neuen Höhepunkten. Diesem Moment über…

Der Junge weinte nie wieder und er vergaß nie, was er gelernt hatte: dass lieben zerstören heißt und dass geliebt zu werden bedeutet, derjenige zu sein, der zerstört wird.
– Cassandra Clare: City of Bones

I want to do something, right here, right now, to shame them, to make them accountable, to show the Capitol that whatever they do or force us to do there is a par of every tribute they can’t own. That Rue was more than a piece in their Games. And so am I. A few steps into the woods grows a bank of wildflowers. Perhaps they are really weeds of some sort, but they have blossoms in beautiful shades of violet and yellow and white. I gather up an armful and come back to Rue’s side. Slowly, one stem at a time, I decorate her body in the flowers. Covering the ugly wound. Wreathing her face. Weaving her hair in bright colors. They’ll have to show it. Or, even if they choose to turn the cameras elsewhere at this moment, they’ll have to bring them back when they collect the bodies and everyone will see her then and know I did it. I step back and take one last look at Rue. She could really be asleep in that meadow after all. “Bye, Rue,” I whisper. I press the three middle fingers of my left hand against my lips and hold them out in her direction. Then I walk away without looking back.

I want to do something, right here, right now, to shame them, to make them accountable, to show the Capitol that whatever they do or force us to do there is a par of every tribute they can’t own. That Rue was more than a piece in their Games. And so am I. A few steps into the woods grows a bank of wildflowers. Perhaps they are really weeds of some sort, but they have blossoms in beautiful shades of violet and yellow and white. I gather up an armful and come back to Rue’s side. Slowly, one stem at a time, I decorate her body in the flowers. Covering the ugly wound. Wreathing her face. Weaving her hair in bright colors. They’ll have to show it. Or, even if they choose to turn the cameras elsewhere at this moment, they’ll have to bring them back when they collect the bodies and everyone will see her then and know I did it. I step back and take one last look at Rue. She could really be asleep in that meadow after all. “Bye, Rue,” I whisper. I press the three middle fingers of my left hand against my lips and hold them out in her direction. Then I walk away without looking back.

(Source: katnerds, via greatsummertimes)

Zeiten des Aufruhrs

Zeiten des Aufruhrs

Meer

Wenn man ans Meer kommt 
soll man zu schweigen beginnen
bei den letzten Grashalmen
soll man den Faden verlieren

und den Salzschaum
und das scharfe Zischen des Windes einatmen
und ausatmen
und wieder einatmen

Wenn man den Sand sägen hört
und das Schlurfen der kleinen Steine
in langen Wellen
soll man aufhören zu sollen
und nichts mehr wollen wollen nur Meer 
Nur Meer

- Erich Fried 

hbaddicted:

Sehe das und muss an @wuschelkeks denken. ;)

(Source: specialtrax)

Ich habe Narben an den Händen, davon, dass ich verschiedene Menschen berührt habe.
– J. D. Salinger (via gedanken-chaos)

(Source: blumen-wiese, via gedanken-chaos)

Wasserturm Langeoog

Wasserturm Langeoog

HerrPoet: Oft nicht mehr.

herrpoet:

Oft ist das Leben auch nicht mehr, als die Suche nach dem Meer. Diese Suche nach dem frei sein, diesem Sand zwischen den Zehen, dem Wind im Gesicht und dem Rauschen der Wellen in den Ohren.

Es fehlt.

Oft ist das Leben nicht mehr, als nur die Suche nach den neuen Höhepunkten. Diesem Moment über…

Der Junge weinte nie wieder und er vergaß nie, was er gelernt hatte: dass lieben zerstören heißt und dass geliebt zu werden bedeutet, derjenige zu sein, der zerstört wird.
– Cassandra Clare: City of Bones

I want to do something, right here, right now, to shame them, to make them accountable, to show the Capitol that whatever they do or force us to do there is a par of every tribute they can’t own. That Rue was more than a piece in their Games. And so am I. A few steps into the woods grows a bank of wildflowers. Perhaps they are really weeds of some sort, but they have blossoms in beautiful shades of violet and yellow and white. I gather up an armful and come back to Rue’s side. Slowly, one stem at a time, I decorate her body in the flowers. Covering the ugly wound. Wreathing her face. Weaving her hair in bright colors. They’ll have to show it. Or, even if they choose to turn the cameras elsewhere at this moment, they’ll have to bring them back when they collect the bodies and everyone will see her then and know I did it. I step back and take one last look at Rue. She could really be asleep in that meadow after all. “Bye, Rue,” I whisper. I press the three middle fingers of my left hand against my lips and hold them out in her direction. Then I walk away without looking back.

I want to do something, right here, right now, to shame them, to make them accountable, to show the Capitol that whatever they do or force us to do there is a par of every tribute they can’t own. That Rue was more than a piece in their Games. And so am I. A few steps into the woods grows a bank of wildflowers. Perhaps they are really weeds of some sort, but they have blossoms in beautiful shades of violet and yellow and white. I gather up an armful and come back to Rue’s side. Slowly, one stem at a time, I decorate her body in the flowers. Covering the ugly wound. Wreathing her face. Weaving her hair in bright colors. They’ll have to show it. Or, even if they choose to turn the cameras elsewhere at this moment, they’ll have to bring them back when they collect the bodies and everyone will see her then and know I did it. I step back and take one last look at Rue. She could really be asleep in that meadow after all. “Bye, Rue,” I whisper. I press the three middle fingers of my left hand against my lips and hold them out in her direction. Then I walk away without looking back.

(Source: katnerds, via greatsummertimes)

(Source: m0rtality, via b-r-o-k-en)

Zeiten des Aufruhrs

Zeiten des Aufruhrs

Meer

Wenn man ans Meer kommt 
soll man zu schweigen beginnen
bei den letzten Grashalmen
soll man den Faden verlieren

und den Salzschaum
und das scharfe Zischen des Windes einatmen
und ausatmen
und wieder einatmen

Wenn man den Sand sägen hört
und das Schlurfen der kleinen Steine
in langen Wellen
soll man aufhören zu sollen
und nichts mehr wollen wollen nur Meer 
Nur Meer

- Erich Fried 

hbaddicted:

Sehe das und muss an @wuschelkeks denken. ;)

(Source: specialtrax)

(Source: psucka, via givemehardlove)

Ich habe Narben an den Händen, davon, dass ich verschiedene Menschen berührt habe.
– J. D. Salinger (via gedanken-chaos)

(Source: blumen-wiese, via gedanken-chaos)

"Der Junge weinte nie wieder und er vergaß nie, was er gelernt hatte: dass lieben zerstören heißt und dass geliebt zu werden bedeutet, derjenige zu sein, der zerstört wird."
Meer
Niemand darf mir weh tun. Niemand.
I tried not to be sad, but it hurts.
"Ich habe Narben an den Händen, davon, dass ich verschiedene Menschen berührt habe."

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